It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “But they’re frightened of me,” he added, with a shrug of his broad shoulders, “and I don’t seem to know how to tackle them.”!

They had paused where a group of trees threw a blot of shadow across the moonlit road. It was not until well on her way home that Joan, recalling the conversation, found herself smiling at Mary Stopperton’s literal acceptation of the argument. At the time, she remembered, the shadow of a fear had passed over her.

And yet every now and then he would be arresting. In his prime, Joan felt, he must have been a great preacher. Even now, decrepit and wheezy, he was capable of flashes of magnetism, of eloquence. The passage where he pictured the Garden of Gethsemane. The fair Jerusalem, only hidden from us by the shadows. So easy to return to. Its soft lights shining through the trees, beckoning to us; its mingled voices stealing to us through the silence, whispering to us of its well-remembered ways, its pleasant places, its open doorways, friends and loved ones waiting for us. And above, the rock-strewn Calvary: and crowning its summit, clear against the starlit sky, the cold, dark cross. “Not perhaps to us the bleeding hands and feet, but to all the bitter tears. Our Calvary may be a very little hill compared with the mountains where Prometheus suffered, but to us it is steep and lonely.” There came a day in early spring. All night long the guns had never ceased. It sounded like the tireless barking of ten thousand giant dogs. Behind the hills, the whole horizon, like a fiery circle, was ringed with flashing light. Shapeless forms, bent beneath burdens, passed in endless procession through the village. Masses of rushing men swept like shadowy phantoms through the fitfully-illumined darkness. Beneath that everlasting barking, Joan would hear, now the piercing wail of a child; now a clap of thunder that for the moment would drown all other sounds, followed by a faint, low, rumbling crash, like the shooting of coals into a cellar. The wounded on their beds lay with wide-open, terrified eyes, moving feverishly from side to side. To reject it would be to dishonour it.